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Don’t worry. Danny is free on permanent blues bail. Just referencing the great Don Wilcock article title that is in Blues Wax describing Danny’s recent show at Marble Valley Regional Correctional Facility in Rutland, Vermont on Friday, April 1, 2011. Don writes it so well, no point saying anymore, except that Danny used the same instincts that forms his music – to engage the men who came to hear him play. Talk about a potentially tough crowd. No small feat. You can read Don Wilcock’s article here.
Neshama performing and speaking at the 2010 IdeaCity conference in Toronto last June. See here.
CRASH&BURN signed a deal with Sojourn Records and started recording their first release due out in late 2009/early 2010. A duo that sounds like so much more, CRASH&BURN describes themselves as this:
-Bill Sherman
Blogcritics
Cave Drawings helped bring about the creation of Sojourn Records by bringing Laverack and Ambrosino together as they worked on the project. In the end, the decision to start the label postponed the release of the record but is a move Laverack does not regret. "I feel fortunate to have this record coming out at a time when we have several releases becoming available." Laverack states. " In many ways it allows me to see this record in perspective. The one thing I'm sure of is that it deserves to be heard. And it's a record we can be proud to release".
Sojourn Records released Danny Kalb's "I'm Gonna Live The Life I Sing About" in January 2009 and is releasing New York subway musician, Theo Eastwind's new release "King of the Underground" in July.
Ladies and Gentleman, the N train will be making all local stops... and Theo Eastwind's new album, King of the Underground is finally here. Theo, who worked with Mark Ambrosino at Sojourn Records (who recorded and produced this album), is releasing a full length acoustic and vocals-only album recorded live on the platform of the NYC subway over a few months in 2007. Though the actual location of the platform is a well-guarded trade secret, it is clearly under the streets of NYC and demonstrates Theo's amazing talent along with his dogged determination to highlight the subway musicians' world. What is apparent when listening is that the talent Theo has for songwriting and for pulling the listener in, exists despite any handicap that the location or fidelity might offer. Theo may be challenging himself while highlighting a location where he has spent many years making his living and growing an enormous fan base - and also selling 20,000+ CDs. This record has the flavor of a documentary without the images since there are many stories, both real and imagined within his life and music that provides a rich context to Theo's haunting vocals and open-tuned acoustic. Theo has been near the edges of "discovery" in his public domain, from encouraging words from Johnny Cash to arguing for 1st Amendment rights for street musicians on Fox 5 News, to playing one of the new songs from the Oasis release as part of the band's promotion in NYC. But he returns to the subway platform where he has grown comfortable and continues to be highly capable of earning a decent living while trying out new material. Glamorous, perhaps not, but riding freight trains in the early to mid 20th century wasn't for everyone either, and yet it is a rich part of American culture. Sojourn will get Theo back in the studio someday soon, but wanted to help him celebrate his art in an environment that he has grown to appreciate, and is at times an integral part of the arrangement.
Sojourn is promoting a new hybrid model for a music "label" by combining the promotion of great artists with great sounding recordings (i.e. Motown) with the power of the Web 2.0 movement which looks to a community of artists and avid participants for its creative, innovative and promotional power. Check out the About Sojourn page to read more about the Sojourn model and artists who are lining up to get involved.